Posted: December 15, 2006 Filed under: Digital Humanities, Essays, Preprints and Offprints, Research | Tags: Computers, digital humanities, editorial studies, history, information machines, internet, sustainability
It is, perhaps, the first urban myth of humanities computing: the Case of the Unreadable Doomsday Machine. In 1986, in celebration of the 900th anniversary of William the Conqueror’s original survey of his British territories, the British Broadcasting Corporation (BBC
) commissioned a mammoth 2.5 million electronic successor to the Domesday Book
. Stored on two 12 inch video laser discs and containing thousands of photographs, maps, texts, and moving images, the Domesday Project
was intended to provide a high-tech picture of life in late 20th century Great Britain. The project’s content was reproduced in an innovative early virtual reality environment and engineered using some of the most advanced technology of its day, including specially designed computers, software, and laser disc readers (Finney 1986).
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