Linked data, open data: Towards a semantic web of Anglo-Saxon England

International Society of Anglo-Saxonists (ISAS), July 29th-August 2, 2013, Dublin

The Visionary Cross would like to propose a roundtable or three paper panel on linked and open data in Anglo-Saxon studies for ISAS 2013. The goal of this panel would be to assess the current state of practice in the development of linked and open datasets and to explore future directions. This topic should be of interest to textual editors, cultural heritage curators, art historians, researchers working on dictionaries and other reference works.

If you would like to explore this topic contact, please contact Daniel O’Donnell (daniel.odonnell@uleth.ca) as soon as possible to discuss approaches. Session and paper proposals are due at the ISAS programme committee by September 13.


Call for Papers: Cultural, Textual, and Material Heritage in the Digital Age: Projects and Practices

The twentieth International Medieval Congress, Leeds, 1-4 July 2013

The rise of the Digital Humanities as an international, cross-disciplinary approach to humanistic scholarship presents exciting new challenges and opportunities.

Perhaps one of the most exciting of these is the convergence of interest among textual editors, art historians, archaeologists, museum and library curatorial staff, government agencies, and commercial entities in what can be broadly described as issues in the representation and research of Cultural, Textual, and Material Heritage.

This call is for papers addressing current and future practices and opportunities in this area. What are the interesting projects? What are the interesting technologies, methodologies, and business models? How will this convergence play out in the short and medium term?

Read the rest of this entry »


Been there, done that: Art history as a model for the effect of technology on disciplinary development

Evidence of why it is useful to read outside your main areas of disciplinary interest…

I’ve been reading my way through Revisualizing visual culture (Ashgate 2010), on a number of titles I bought from the Ashgate stand at the the recent DH 2012 conference in Hamburg. Most of the chapter thus far have been relevant to work we are doing with the Visionary Cross project, especially now that we are starting to get usable 3D meshes (as time allows, I hope to post some other small posts about the various chapters in this and my other recent reading). Read the rest of this entry »


All should have prizes: Thinking about citation practice for the Visionary Cross Project

With the first meshes almost ready, and work beginning on writing up some of the results from our work on site in Ruthwell, authorship and credit questions at the Visionary Cross project are beginning to become more pressing.

Good practice, of course, would be to establish a system long in advance and stick to it throughout. The Visionary Cross project, however, has always operated as a relatively loose federation of scholars rather than a single project (more of a society, than a project in many ways) and, due in part to the long time it took to get major initial funding, crediting issues have until recently seemed quite far in the future. Read the rest of this entry »


Visionary Cross Project

The “Visionary Cross” is an international, cross-disciplinary project directed by Catherine Karkov of the University of Leeds, Daniel Paul O’Donnell of the University of Lethbridge (Principal Investigator), Roberto Rosselli Del Turco of the Università degli studi di Torino, with James Graham (Multimedia, University of Lethbridge) and Wendy Osborn (Mathematics and Computer Science, University of Lethbridge).

The goal of this project is to draw together a number of recent developments in the Digital Humanities and use them to produce an innovative and intellectually significant study of a key group of Anglo-Saxon texts and monuments. Read the rest of this entry »


Follow

Get every new post delivered to your Inbox

Join other followers: